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Indie, Hybrid, Traditional.
Sounds more like different types of cars, not authors.
After I finished writing my first full novel, Ivy (a paranormal romance) in 2013, I had no idea what to do next. Submit it to agents? Try to publish it myself? Look for one of the many small publishing companies out there? It was overwhelming.
I’d heard a lot of nightmare stories from indie authors about how they’d been royally screwed over by editors, cover artists, publishers, agents. On the flipside, I’d also heard amazing stories about brilliant companies to work with.
It was hard to know what the right route for me was.
Traditional publishing ended up not being for me. It didn’t feel right. I was already so far outside of my comfort zone with trying to get publishing, I decided not to make it harder on myself.
And to me, that’s the most important part of the journey.
Find what works for you.
It’s your writing path–no one else’s.
As a general rule, I don’t believe in giving author advice. Advice on writing is always best taking with a grain of salt because everyone has their opinions.
And those opinions will quite frequently conflict with another author’s advice.
There are two things I think every indie/hybrid author should know: 1. professional covers are essential. 2. research your editor before hiring them.
I’ve heard so many nightmare stories about authors getting taken by disreputable editors when a little bit of research could’ve saved them a lot of hassle and money. Ask around. Talk to other authors whose work is well edited.
When I started looking around for an editor, I looked at a couple different companies before discovering someone I already knew had started an editing company–Hot Tree Editing. They were brilliant. Worked with me…and were understanding when I didn’t always get things and had questions. (Fun #actuallyautistic fact: I struggle with instructions A LOT.)
It was a no-brainer for me to submit After the Scrum when Becky decided to start Hot Tree Publishing to them. I trusted Hot Tree. And…dealing with everything as an indie was so stressful. Traditional publishing didn’t feel like my path, but the more hybrid route fit me perfectly, mostly because of the incredible women who support me and my writing.
I suppose this long rambling post is mostly to say–write your own way and publish in a way that works for you.
And avoid comparing your path to others.
What about you?
Are you an indie, hybrid, or traditionally published author?
Recovering from a broken relationship, Emma Mitchell moves in with her best friend. Her life is quiet and uneventful, just how she likes it. Little does she know that the events of the following months will change her life forever.
Famous Hollywood actor James McNair is a renowned womaniser with a penchant for partying and hitting the tabloids for all the wrong reasons. When a night of partying a little too hard means he finally has to take stock and reevaluate his lifestyle, a week away from the flashing lights of Hollywood is just what he needs. What better place to hide than in his childhood home in Edinburgh, Scotland?
When the old friends are reunited, feelings resurface and sparks fly. But James must keep the pretence of his new persona until the premier of his biggest film in his career. He just has no idea if he’ll be able to keep his feelings for Emma under wraps until then.
Sometimes it takes more than damage control to find a happily ever after.
When faced with a police case that she can’t say no to, Desiree and Hunter navigate through the investigation as she faces the horrors of her past. As they struggle to solve the case, it’s up to Hunter to keep her tethered.
Will love and friendship be enough to save Desiree from herself and all that is tormenting her?
Other Books in the Thin Red Lines Standalone Series